During a
spring trip in April, 2010, to North Carolina to welcome our first grandchild
into the world, my husband and I drove to little towns in the mountains to see
the renowned frescos at two Episcopal churches.
The first small, wooden church took us by surprise with its beautiful
stained glass windows in addition to the expected frescos across the altar
area.
On the right
side of the altar in the first church was a rectangular fresco of Mary with
child. On the other side was one of John
the Baptist, sparsely clothed, creating somewhat of a wild man appearance. This makes sense from the Biblical
descriptions of Christ’s forerunner.
Both characters in the frescos were immediately recognizable.
Not
surprisingly, Jesus on the cross was the prominent figure in the middle
area. He and the other figures were
painted in somewhat muted colors. Jesus
was nailed to the cross, but rising from the upper part of the cross just above
Jesus’ head was an image of the resurrected Christ, his head, chest and arms
appearing almost as if sketched in various shades of gray. Seeing this combination of the crucifixion
and Jesus rising from the dead just above was very striking and memorable.
We then
drove through some very dense fog—we were very determined—as we ventured higher
into the mountains looking for the second church. This, too, was a small, wooden, country
church, green and white on the outside.
Sadly, there were no pretty windows but the fresco of the last supper
inside filled the altar area with rich colors in the very recognizable
depiction of this special meal.
At both
churches, we pushed a button at the entrance to hear a recorded commentary on
the churches and the making of the frescos.
To me, the information was surprisingly interesting, including each
church’s history in the area. Also, the
making of a fresco was described in detail.
The distinctive feature about a painting of this kind is in how the actual
masterpiece is created. An artist works
on the wall’s plaster while it is still wet and fresh, creating the artwork as
something intrinsic with the wall, not just on its surface. The wall and the painting then are
inseparable, woven into each other’s actual substance.
Is this
merging of substances in the creation of a fresco not an illustration of what
our lives are to be like as members of the body of Christ? Our belief in Christ and the living out of
the faith God gives to us are not to be externally applied to parts of our
lives, such as church attendance, study, prayer, etc.
Instead, His
holy substance, His life is to be soaked into every aspect of who we are and
how we live. Jesus spoke of Himself as
what should be the permeating substance of our very beings. “I am the
vine, you are the branches; he who abides in Me and I in him, he bears much
fruit, for apart from Me you can do nothing” (John 15:5).
Sharing little Henry’s début in the world that spring was beyond special and
joyous. A sweet addition was the side
trip to the churches and the illustration of Christian life that the frescoes
brought to my mind. May we all as
Christians feast on this life-giving substance of Christ and strive to be
living frescos, wet and yielding to the brush strokes of God’s Holy Spirit.